
As a general rule of thumb I like to center my musical tastes around all things metal with a healthy smattering of blues and Southern Rock for balance. Because of my rule, I rarely deviate from this game plan as I find a sense of well being, and a much needed boost of manhood, through divulging in heavy head banging riffs and deep soulful tones. Recently I was forced from my beloved pathway when subjected, by my wife, to a Cockney English singer much too pop for my distinguished tastes.
I have often found my lovely wife partakes of music genres better suited to a teenage crowd. This is evidenced by her recent attendance at a Brittany Spears concert where she later reported enjoying the experience but not to same extent as the other crowd participants. With drastically different motives, I would have gone solely to engage in the sport of observing anecdotal reactions to Miss Brittany's performance, and the subsequent train wreck. I can't stand pop music and will usually stretch to great lengths to avoid subjection and exposure. But, in order to spend quality time with my darling wife I often eat sufficient crow in order to avoid offending the good nature of my mate. Simply put, she puts up with my shit so I feel it's not too much to ask that I tolerate her taste in music. I do it out of love and devotion.
On one particular day, last month, my darling was unusually excited about a recent Itunes download of a strikingly pretty young woman. The purchased album was titled "It's not me, it's you" which alone suggests the same overindulgence, self-righteous, and pious approach pop and rap artists consistently portray. I was intrigued. But, in order to be true to my inner rocker, I found my self resisting the almost sickening sweet melodies reminiscent of Karen Carpenter pinning her 70's love ballads. "Why do birds suddenly appear, every time you are near, just like me, they long to be, close to you" Waaaaaaaaaaaaa, ahhhhhhhhhaaaahhhhhhhaaaaaaaaa, close to yoooooou". Then it struck me. Lily Allen sang joyful, and all to softly, "F%&$ you, f%&$ you very very much, we hate what you do, and we hate your whole crew, so please don't stay in touch" (edited to save the eyes of innocent readers). That was the chorus to a song disparaging closed minded thinking. The tune proved grossly upbeat but the lyrical content was refreshingly sarcastic and poignant. It was brilliant.
The last time I felt this kind of media excitement was the night my wife tricked me into watching "The Decent". The first 45 minuets (or longer) of the movie was nothing short of a chick flick. My wife lied. She said it was a horror film. I was pissed. Then all of a sudden (and literally out of nowhere) one of the head strong, liberated women, who portrayed a honed ability to satisfactorily live life fully with or without a man, was attacked and subsequently eaten by a blind cream colored humanoid barring echolocation abilities. Brilliant. Under the guise of a chick-flick the director removed barriers usually set when attending the average horror movie. Unaware, I was tricked into thinking the movie was a feel good, women's lib, rallying of the species. Then BAMB, like fickle fate everyone dies by the hands (mainly teeth) of a several grotesquely wicked creatures instinctively killing anything that moves. Awesome, now one of my all time favorite films.
Much like watching "The Decent" changed my mind about the movie, after listening to Lily's Allen's entire album I was smitten. Entranced if you will, by here charmingly good looks, innocent melodies, and crushing lyrics. Hey, my wife thinks the sun rises and sets around Johnny Depp, I think I can afford a wee little crush on Lily. Ok mabey a large crush. Check out the album, she sings about the inability of her seemingly perfect romantic interest to satisfy her womanly needs, the addicted reality of societal dependance on prescriptions, and trying to dump a a guy who just doesn't get it. She's sarcastic, she's cheeky, and she's hot as hell. Thanks hun, you've opened my all to often closed eyes.